PERFORMANCE CATEGORIES

  • Studio Solo  (more than one competitor may do the same dance that the teacher choreographs)

  • Competition Solo (only one competitor may do the same dance)

  • Duet (2 competitors) / Trio (3 competitors) / Quartet (4 competitors) will all compete against each other in the same section.

  • Groups

  • Any Age Groups

 

 

When entering MOVE, all competitors are dancing to achieve their status for that particular year of the competition. Upon entering no one has status. In the Regionals there will be NO COMPARING of competitors. They are all dancing for the highest mark possible and will earn their status with the mark that they receive for their performance. Status will come into play at Nationals.

 

As we are striving to keep every dancers competition experience positive and inspirational, we have 3 competitive divisions to aspire to and to ultimately level the playing field. Each routine that performs will receive a score from each of the 3 judges at Regional level. Competitors at Regional level are competing against criteria related to a point system for status at Nationals.  

Depending on what mark they are awarded at Regionals, competitors will become one of the following for Nationals in that particular year only:

 

 

  • BRONZE QUALIFIER

  • SILVER QUALIFIER

  • GOLD QUALIFIER

 

At Nationals all competitors will compete against each other and will be  compared for the overall awards within their divisions and age categories

AGE DIVISIONS

 

MINI

8 years & under
JUNIOR   

9 - 12 years
TEEN  

 13 - 16 years
SENIOR

17 years + over

NEW IN 2020

ADULT - 30 yrs +

 

Ages are determined based on the dancer’s age on January 1st of the competition year.

 

DETERMINING AGE DIVISION:  

Duets/Trios/Quartets/Groups will compete at the average age division determined by averaging the age of all members in the routine. Do not use decimals or round up.  
Example: If the average age comes to 11.8 they will compete in the 11-year old age division.   The system drops the decimal, it is an AUTOMATED process.


ANY AGE GROUPS:

Must have a combination of a minimum of 3 age divisions and will compete in the 13 & over section of the competition

 

PROOF OF AGE:

All performers are required to have proof of ages on hand at every competition.  Failure to provide a birth certificate or driver’s license if an age division is challenged will result in disqualification of that routine. 
 

DANCE GENRES

1. BALLET
A routine consisting of classical steps & ballet technique. Classical Ballet, Neo-Classical Ballet, Ballet Nouveaux, Character dance, Classical Ballet repertoire – 
Performed in ballet slippers or in pointe shoes. 

 

2. STAGE BRANCH

Modern, Lyrical, Jazz & Contemporary– all compete in the same section.
 

(a) MODERN

A routine that is performed in this category is not a LYRICAL, CONTEMPORARY or JAZZ piece.

(b) LYRICAL

A routine that is performed to the lyrics or mood of the music;

Routine should demonstrate balance, extension, isolation's and control utilising the lyrics or mood of the music. Lyrical dance is a literal representation of the music using a combination of ballet and jazz with a little bit of modern thrown in for good measure. It is usually performed in foot undies and tends to be romantic and emotional in approach. Music with vocals and lyrics is preferred but not a rule.


(c) CONTEMPORARY

Contemporary dance can be almost anything. It can be performed barefoot, en pointe or even in socks on stage. It may or may not be performed to music, sounds or nothing at all except the counts or breath of the dancers. This category will also include the new commercial American contemporary styles, as seen in works by Mia Michaels, Sonya Tayeh, Erica Sobol Paul Taylor and Alvin Ailey.

Inventive movements incorporating different styles with classical foundation; Martha Graham, Horton, Limon, Dunham and Cunningham are the major styles.

(d) JAZZ

Jazz is an energetic dance style, consisting of unique moves depending on specific style and era of jazz. The moves must reflect the jazz dance technique (layouts, jazz pirouettes, fan-kicks, jazz walks, splits, isolation, leaps etc.) which are based on the technique from classical ballet training. As long as the jazz dance vocabulary is used, the music can vary from classic jazz, theatre jazz, Latin jazz to modern day music. Jazz dance encourages individual expression and the development of personal style

(e) CHARACTERS


3. URBAN DANCE STYLE / HIP HOP

Deriving from Urban Dance culture, the choreography can combine different dance styles of Hip Hop e.g. Old school and Nu Skool.  Old school includes: Pop, Lock, Jazz rock, Hype. Nu Skool includes Krumping, Dance Hall, House Dance (footwork, jacking and lofting) is considered as part of this category. Also includes Waacking, Vogueing and experimental. Existing choreography should be used for inspiration, but should not be copied – creativity is essential as Hip Hop is a personal expression of emotions or situations and experiences. Abusive language / violent expressions forbidden in music and performance. Acrobatic/Break movements are allowed but dancing has to dominate.

 

3 (a) BATTLE : 12& U & 13& over

All Style / Freestyle Solo Section

5. MUSICAL THEATRE

A routine performed to the music of a Broadway musical or a movie musical. Musical theatre is a form of performance that should combine acting and dance. The story and the emotional content of a musical – humour, pathos, love, anger – should be communicated through the choreography. All styles are permitted including both classical and contemporary musicals. Examples: from the 1930 (Singing in the Rain, Oklahoma, Cabaret, Sweet Charity) up to the present day (Mamma Mia, Producers, Chicago, Wicked, etc). Storyline, characterization and costume must reflect chosen musical. Musical character must be recognizable
Lip Sync - A routine that mimics voices on pre-recorded music and includes dance.
Song and Dance – A routine that combines dancing and live singing. This is a vocal routine…lead vocals may not be lip-synched and may have back up vocal accompaniment only.  A hand-held, wireless microphones will be provided. No personal/studio microphones, headsets, etc. will be permitted.

 

6. TAP
A routine utilizing tap technique performed with tap shoes only, creating syncopated rhythms. The routine must contain tap technique and primarily tap work. It is preferred for tap sounds not to be pre-recorded in music

 

7. ACROBATIC DANCE
A routine showing controlled acrobatic moves such as walkovers, front/back limbers, handstands, chest rolls, including, but not limited to headstands, cartwheels, etc. There should be a blend of acrobatics and dance together. All acrobatic elements should be linked with dance steps. Acrobatic Dance may contain flexibility moves or contortionist moves while it must contain dance moves, steps and choreography. Acrobatics are defined as typically gymnastic and not dancing elements (salt, flick-flack), jumps and lifts are not included in this definition.

 

8. NATIONAL
Any dance style specific to a country and representative of their culture
Example: Irish,  Spanish, Greek,  African, Tribal etc – Performances are to a significant degree bound by tradition with strong cultural roots, costume and music. INCLUDES solo Latin.

9. FUSION

Where a  Solo/Duet/Trio/Quartet or Group has a combination of dance styles, all within one piece of choreography.

 

 

 

 

 

MOVE! Dance Competition Regional Judges are skilled in the dance genre that they judge. At National level combinations of championship calibre competition studio directors, teachers affiliated with major dance studios and currently performing dance professionals will be on the judging panel. These Judges are all well trained in multiple genres of dance and are sensitive to the various skill levels represented by the dancers' differing ages. This mixture of age, breadth of dance experience and extensive background in performing arts contributes to the diverse range of feedback Judges can offer all our competitors.

Each performance will be evaluated on the following five judging elements:

 

1) TECHNIQUE – 45 POINTS TOTAL
The judges will evaluate the synchronization, timing, mobility and stabilization, skills, execution of the movements performed, the quality of movement throughout the routine, including head, arm, leg and body placement, footwork, standing and air and synchronization of the dancers depending on the technical requirements of routine’s discipline. Dancer(s) must maintain control of the speed, direction, momentum and body placement throughout the routine. Dancers must also demonstrate awareness of spacing between dancers through a full range of unique, complicated and challenging formations and interactive partner moves and patterns.

 

The level of authentic and uninhibited presentation of a routine consisting of: individual attitude, energy, posture, uninterrupted display of confidence measured by facial expression, eye contact and body movement, enthusiasm, passion, connection with the audience that generates an emotional response (excitement, joy, laughter, melancholy, sadness) relative to the discipline and story presented will be judged.


2) STAGE PRESENCE – 30 POINTS TOTAL

The level of authentic and uninhibited presentation of a routine consisting of: individual attitude, energy, posture, uninterrupted display of confidence measured by facial expression, eye contact and body movement, enthusiasm, passion, connection with the audience that generates an emotional response (excitement, joy, laughter, melancholy, sadness) relative to the discipline and story presented will be judged. Clothing and accessories worn should represent and
reflect the story presented. Innovative and creative selection of costumes is encouraged. Performance and choreography should correlate with routine’s music. Also, the dancer’s ability to perform simultaneously to the music is considered by judges. Movements and patterns performed to the simulated sounds of the dancers in the absence of recorded music (e.g., foot stomping, hand clapping, vocals, etc.) will also be considered musically and judged. The routine should leave a memorable and lasting impression

 


3) LEVEL OF PERFORMANCE – 10 POINTS TOTAL
Level of performance is measured by the difficulty of the demonstrated movements by all the dancers in a routine and the variety of styles performed where such variety is considered as a part of discipline. The level of performance should match the technical abilities of the dancers.

 

4) CHOREOGRAPHY – 10 POINTS TOTAL
Choreographing and presenting a routine in a unique and one of a kind way with innovative elements as well as creative ways of expressing and the transformation of choreographer’s ideas into a routine are highly appreciated by the judges. However, original choreography is allowed in all disciplines. Elements such as full and creative usage of the stage and the floor, innovative movements, transitions and interpretation of the music (if used) are considered an essential part of an outstanding choreography. Choreography should be appropriate for the ability and age of the performers.

 

5) OVERALL APPEARANCE – 5 POINTS TOTAL

Clothing and accessories worn should represent and reflect the routine, whilst

an innovative and creative selection of costumes is encouraged, it is not a criteria.

 

All judges’ decisions are FINAL.

 

JUDGING

 
 
 
 
 

PERFORMANCE

STATUS

 

POINT SYSTEM OUT OF 100

69% + below Honorary mention

70-79% Bronze Qualifier

80-89% Silver Qualifier

90-100% Gold Qualifier

In order for a routine to qualify for NATIONALS, the routine must score a minimum of 70%

 


PERFORMANCE TIME LIMITS

•  Studio Solo: Maximum 1:30 minutes
•  Competition Solo:
Maximum 3:00 minutes 
•  Duet / Trio / Quartet:
Maximum 3:00 minutes 
•  Group: 
Maximum 5:00 minutes

•  Any Age Groups : Maximum 5:00 minutes 

NOTE: It is highly advised to keep all choreography shorter 

rather than to use the maximum time allowed.

In Ballet/Acrobatics it is understood that more time might be needed

but NOT in any of the other dance disciplines.

 
 

ENTRIES

REGIONAL entries must be entered online prior to the competition date.

Any late entries will carry a late entry fee.

NATIONAL qualifiers must be entered online within 72 hours of qualifying

Any late entries will carry a late entry fee.

REGISTRATION IS COMPLETED ON-LINE

 

Online Registration Instructions:

Please download/print the following step-by-step guide on how the Online

Registration system works prior to setting up your studio account online.

 

 

Once you have read through the above guide, simply

click on the link below, create your studio profile and start adding your MOVE! entries.

CLICK ON THE LINK BELOW TO CREATE YOUR STUDIO PROFILE & START ADDING ENTRIES!

http://thetda.dancecompgenie.com

 

OPENING DATE FOR REGISTRATION
 30th June 2020 -Kwa-Zulu Natal 

15th July 2020 - Cape Town


CLOSING DATE FOR REGISTRATION & ENTRIES ONLINE AND PAYMENTS VIA EFT

KWA-ZULU NATAL 

 30th July  2020 (KZN)

 

CLOSING DATE FOR ONLINE REGISTRATIONS: CAPE TOWN
Monday, 24th AUGUST 2020


COMPETITION DATES - REGIONALS (HEATS)

KWA-ZULU NATAL

15th & 16th of AUGUST 2020

Suggested DATES based and dependant on number of entries.
VENUE:  To be confirmed

CAPE TOWN

10th - 18th September 2020
VENUE:  Sea Point Civic Centre


COMPETITION DATES - NATIONALS (FINALS)

CAPE TOWN

24th / 25th / 26th September
VENUE: Sea Point Civic Centre

This site contains the planning of the MOVE! National Dance Competition

for the year 2020. 

Where required by circumstance, the organisers reserve the right to make all and any amendments.

Such amendments, as well as any further arrangements of concern,

will be notified to all concerned immediately.

Email: theatredanceassociation@gmail.com

Tel Office: (021) 761 7547

Cell: 083 2707 883

Fax: 086 530 1511

   2020 MOVE! DATES

 

 

 

 

 

 

 

 

REGIONAL & NATIONAL AWARDS - REFER TO BROCHURE

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

This site contains the planning of MOVE! National Dance Competition

for the year 2019. Where required by circumstance, the organisers reserve the right to make all and any amendments.

Such amendments, as well as any further arrangements of concern,

will be notified to all concerned immediately.

Email: theatredanceassociation@gmail.com

Tel Office: (021) 761 7547

Cell: 083 2707 883

Fax: 086 530 1511

 AWARDS